Our award winning colourist will match grade the colour of every scene using any surviving print as a guide. Where no print exists, or colour has faded with age, we will work closely with you and researchers to try to accurately recreate the original colours.
Sometimes there is an opportunity to work with the original filmmaker to refine the look of the film in the grade using technology only dreamed of when the film was first made.
Deliver your finished film in any standard format including DPX, Quicktime or DCP. We also support a wide range of colourspaces including rec2020, P3 and rec709.